संगीत शीट $3.08
असली
Giovanni Palestrina. Alma Redemptoris Mater. Sheet Music. SATB. SATB. Giovanni Palestrina.
अनुबाद
गियोवन्नी Palestrina. अल्मा Redemptoris मेटर. शीट संगीत. SATB. SATB. गियोवन्नी Palestrina.
असली
The short motet is scored for four Voices, SSSA or SSST or TTTB, unaccompanied and displays Palestrina’s gift for transcendent solemnity. Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one, Alma Redemptor Mater for four Voices, is not known to have been published during his lifetime, but has been found in manuscript form in the Collegio Romano in Rome. In 1545, the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural words was one of the issues at stake, especially as the polyphonic style, of which Palestrina was a master, overlaid many Vocal lines, creating complex textures. It is possible that this motet was written following the new guidelines of the Council.
अनुबाद
The short motet is scored for four Voices, SSSA or SSST or TTTB, unaccompanied and displays Palestrina’s gift for transcendent solemnity. Palestrina जिसका पॉलीफोनिक रचनाओं को सक्रिय रूप से भजन प्रदर्शनों की सूची में प्रदर्शन रहेगा देर पुनर्जागरण चर्च संगीत के विशाल आंकड़ों में से एक है. उन्होंने कहा कि 250 से अधिक motets रचना. This one, Alma Redemptor Mater for four Voices, is not known to have been published during his lifetime, but has been found in manuscript form in the Collegio Romano in Rome. 1545 में, ट्रेंट की परिषद नई प्रोटेस्टेंट आंदोलन की धमकी के बचाव में रोमन कैथोलिक चर्च में विभिन्न प्रथाओं में सुधार करने के लिए बाहर सेट. लिखित शब्दों की स्पष्टता जटिल बनावट बनाने, कई गायन लाइनों मढ़ा विशेष रूप से Palestrina एक मास्टर था, जिनमें से पॉलीफोनिक शैली, के रूप में दांव पर मुद्दों में से एक था,. It is possible that this motet was written following the new guidelines of the Council.
