Cello Concerto No.1 in C major, Hob.VIIb:1 (Haydn, Joseph)

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Editor Karel Šolc (1893–1985)
Oldřich Pulkert (1929–2016)
Publisher. Info. Musica Viva Historica, Vol.12
Prague: Editio Supraphon, 1963. Plate H.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8005.
Copyright
Misc. Notes See below for discussion on the copyright status of this edition.
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PDF scanned by Zhengjc
Zhengjc (2024/3/1)

Editor Sonja Gerlach (b. 1936)
Publisher. Info. Joseph Haydn Werke, Reihe III, Band 2 (pp.1-56)
Munich: G. Henle Verlag, 1981. Plate HN 5202.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 6750x9000.
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Editor Karl Paulsson (b. 1936)
Publisher. Info. Karl Paulsson
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Misc. Notes Compilation from the parts.
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Editor Orfeo Mandozzi (b. 1968)
Publisher. Info. Vienna: Orfeo Mandozzi, 2015.
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Parts

Cello Solo
Editor Miloš Sádlo (1912–2003), also cadenzas
Publisher. Info. Musica Viva Historica, Vol.12
Prague: Editio Supraphon, 1963. Plate H. 3710.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8005.
Copyright
Misc. Notes See below for discussion on the copyright status of this edition.
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PDF typeset by editor
fsarud (2010/10/18)

Editor Fsarud
Publisher. Info. Fsarud
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Misc. Notes Urtext edition based on #902231.
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PDF typeset by editor
Cellofan (2015/6/18)

Editor Orfeo Mandozzi (b. 1968), also cadenzas
Publisher. Info. Vienna: Orfeo Mandozzi, 2015.
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Orchestra

5 more: Horn 1, 2 (C) • Violins I • Violins II • Violas • Cellos/Basses

Editor Karel Šolc (1893–1985)
Oldřich Pulkert (1929–2016)
Publisher. Info. Musica Viva Historica, Vol.12
Prague: Editio Supraphon, 1963. Plate H.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8005.
Copyright
Misc. Notes See below for discussion on the copyright status of this edition.
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7 more: Oboe 2 • Horn 1 (C) • Horn 2 (C) • Violins I • Violins II • Violas • Cellos/Basses

Editor Luca Spirio
Publisher. Info. Luca Spirio
Copyright
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7 more: Oboe 2 • Horn 1 (C) • Horn 2 (C) • Violins I • Violins II • Violas • Cellos/Basses

Editor Orfeo Mandozzi (b. 1968)
Publisher. Info. Vienna: Orfeo Mandozzi, 2015.
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Editor Orfeo Mandozzi (b. 1968)
Publisher. Info. Vienna: Orfeo Mandozzi, 2015.
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Arrangements and Transcriptions

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For Flute and Orchestra (Berrocal)
Arranger Joseba Berrocal
Publisher. Info. Joseba Berrocal, 2024.
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Misc. Notes To be used with the original orchestra or piano accompaniment.
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For Oboe and Orchestra (Berrocal)
Arranger Joseba Berrocal
Publisher. Info. Joseba Berrocal, 2024.
Copyright
Misc. Notes To be used with the original orchestral parts or piano accompaniment.
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For Clarinet and Orchestra (Berrocal)
Arranger Joseba Berrocal
Publisher. Info. Joseba Berrocal, 2024.
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Misc. Notes Clarinet in B. To be used with the original orchestral parts, or piano accompaniment, in C.
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For Violin and Orchestra (Echarri Myers)
Arranger Isabel Echarri Myers (b. 1999)
Publisher. Info. Department of Musicology COSCYL, 2024.
Copyright
Misc. Notes To be used with the original orchestra or piano accompaniment.
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For Viola and Orchestra (Bonds)
Arranger Alan Ernest Bonds
Publisher. Info. Arcodoro Press
Copyright
Misc. Notes Transcribed 8va with a couple of exceptions.
For use with the original orchestral parts (or piano part)
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For Viola and Orchestra (Soontornniyomkij)
Arranger Varun Soontornniyomkij (b. 1997)
Publisher. Info. Varun Soontornniyomkij, 2021.
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For 6 Cellos (Seymour)
Arranger Gwyn Seymour
Publisher. Info. Gwyn Seymour
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Allegro molto (No.3)

For Harp (Tenente)
Arranger Stephane Tenente (b. 1990)
Publisher. Info. Stephane Tenente, 2016.
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Cadenzas

Déjardin
Arranger Renaud Déjardin
Publisher. Info. Renaud Déjardin
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Pernoo
Arranger Jérôme Pernoo
Publisher. Info. Jérôme Pernoo, 1993.
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General Information

Work Title Cello Concerto No.1
Alternative. Title
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.VIIb:1
Internal Reference NumberInternal Ref. No. IJH 114
Key C major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Moderato (C major, 136 bars)
  2. Adagio (F major, 116 bars)
  3. Finale. Allegro molto (C major, 253 bars)
Year/Date of CompositionY/D of Comp. 1761-65 ca.
First Publication. 1963 or before
Copyright Information A registration and renewal claim was accepted by US copyright office for the cadenza supposedly composed by Miloš Sádlo (1912-2003) and the edition prepared jointly with Mstislav Rostropovich (1927–2007). (See below for reference to the bogus copyright claims originally made.) However, this turned out to be a bogus copyright claim, since the cadenzas originally appeared in the Prague manuscript from the early 1800s. Thus, this minimizes Sádlo's editorial intervention to mere editing of the original manuscript, which does not meet the threshold of originality for copyright protection, so these cadenzas are in the public domain.
PA0000476920 / 1990-08-09 (Registration)
RE0000487532 / 1990-08-09 (Renewal)
Dedication Joseph Franz Weigl (1740–1820)
Average DurationAvg. Duration 24 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation cello, orchestra
InstrDetail 2 oboes, 2 horns, strings
External Links Wikipedia article

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